Madama Butterfly on GNO TV
available for on-demand streaming from 25 November 2020
The successful production of Madama Butterfly, which opened the autumn season of the Greek National Opera in October 2020, introduces GNO TV, GNO's new web TV. Puccini's masterpiece was conducted by Lukas Karytinos, directed by Hugo de Ana and with internationally acclaimed soprano Ermonela Jaho in the title role. Both the recording of the performance and the creation of GNO TV were made possible thanks to the support from the Stavros Niarchos Foundation (SNF) [www.SNF.org] grant for the enhancement of Greek National Opera's artistic outreach.
The opera tells the story of the fatal love affair of fifteen-year-old geisha Cio-Cio-San with Pinkerton, a lieutenant in the United States Navy. After three years of absence the lieutenant comes back to Japan accompanied by his American wife, having learned that he has begotten a son by Butterfly. She agrees to give the child away only to Pinkerton himself, and after that she commits suicide.
Famous for its wonderful arias, strikingly melodic music and dramatic theatricality, Madama Butterfly offers timeless emotion and triggers intense feelings. Puccini does not hesitate to describe it as his favorite opera, and through his later modifications he makes his heroine's alabastrine figure a symbol of inexhaustible patience and eternal, constant love.
Giacomo Puccini's Madama Butterfly is a milestone work for the Greek National Opera, as it was the first opera ever staged by the newly-founded organization, on 25 October 1940, three days prior to the declaration of the Greco-Italian war. That historic premiere, held on the National Theatre's main stage, was attended by the composer's son, Antonio Puccini, and the Italian Ambassador in Athens Emanuele Grazzi, who, a few hours later, would deliver to the Greek government the Italian ultimatum threatening war. This year, which marks the 80th anniversary of the Greek National Opera, Butterfly returns to GNO's new home, at the Stavros Niarchos Foundation Cultural Center, not only to celebrate the anniversary, but also to signal the GNO's return to action after the pandemic, and to show that art and culture not only survive in the most adverse conditions, but also constitute the driving force for man and society.
The direction, sets and costumes of the production, which first premiered in 2013 at the Odeon of Herodes Atticus and was revived in a new version tailored to the stage of the Stavros Niarchos Hall, bear the stamp of famous Argentinian director Hugo de Ana. It is an impressive production with traditional Japanese costumes, while the sets and video projections impressively illustrate the country of the rising sun on the one hand and the heroine's psyche on the other. Video projections are designed by Sergio Metalli, and lighting by Valerio Alfieri.
The cast includes great Greek and foreign protagonists. The title role is performed by an outstanding soprano with a burgeoning international career, Ermonela Jaho. Alongside her are Gianluca Terranova (Pinkerton), Chryssanthi Spitadi (Suzuki), Dionysios Sourbis (Sharpless), etc.
Ermonela Jaho was born in Albania and lives in New York. She has been described by the Economist as "the world's most acclaimed soprano". She is famous for her unique interpretations and her identification with the heroines she performs. She appears at the world's greatest opera houses, from America and Australia to Europe and Asia, and she has collaborated with celebrated soloists, directors and conductors. Specifically for her interpretation of Madama Butterfly the reviews have been raving, with the most praising among them being Independent's about Jaho's interpretation at Covent Garden: "Jaho is the best Madama Butterfly that London has seen in years".
Italian tenor Gianluca Terranova studied piano and worked as a composer, musician and orchestrator in music theatre and television before starting his career as a soloist. He attracted international attention for his performance as Duke of Mantua in Rigoletto at the Arena di Verona in 2008, and since then he ranks among the most distinguished interpreters of the role. He has performed at some of Europe's most prestigious opera houses, and he has portrayed Enrico Caruso in the Italian TV-movie Caruso, la voce dell'amore.
Mezzo-soprano Chryssanthi Spitadi studied solo singing and musical at the Vienna Music Academy. She was awarded at the International Audition Competition of Schlossoper Haldenstein Festival (Switzerland, 2009) and made her professional debut as Carmen in Chur, Switzerland. In 2010 she sang Carmen (Opera Festival Klosterneuburg, Austria), while the next year she was a finalist of the Emmerich Smola Competition and made her debut as Federica (Luisa Miller, Wiesbaden). She was a member of the Theater & Philharmonie Thüringen (2011-2015). She has performed at the GNO as First Maid (Elektra, 2017), Gertrude (Roméo et Juliette) and Flora (La traviata). She was a member of the Theater Münster (2018/19) singing Mrs Jones (Street Scene) and Clarice (The Love for Three Oranges).
Baritone Dionysios Sourbis was born on Zakynthos. He got a diploma in monody after studying with George Samartzis, and continued his studies in Italy with maestro Claude Thiolas ("Maria Callas" scholarship, 2005). He has received first prizes in such international competitions as Totti dal Monte, Iris Adami Corradetti, Pertile -Martinelli, Spiros Argiris, etc. He has received honours from the Union of Greek Critics for Drama and Music (2013) and has also been awarded the Laurence Olivier Award (Royal Opera House, London, 2016). He has performed at the Odeon of Herodes Atticus, the Athens Concert Hall, Teatro La Fenice (Venice), Malibran Theatre (Venice), Teatro Reggio (Turin), Teatro dell'Opera di Roma, Opéra de Rennes (France), etc. Since 2003 he has been collaborating with the Greek National Opera as a soloist.
The production was recorded by a state-of-the-art eight-camera system, and directed using special filmmaking techniques to offer a high-quality viewing and listening experience to the audience. Subtitles will be available in Greek, English and French.
Madama Butterfly at a glance
Giacomo Puccini was born in Lucca, Tuscany, on 22 December 1858. The fifth of seven children, he was born to a family that had supplied his native city with musicians -church organists, conductors and composers, mainly of sacred music- for the previous four generations. He remains to this day one of the most renowned composers of Italian opera, as his works are regularly performed throughout the world. His musical style was already clearly developed by his third opera, Manon Lescaut (1893), while his next three compositions, La bohème (1896), Tosca (1900) and Madama Butterfly (1904), firmly established Puccini as Verdi's heir. The beautiful melodies and intense theatricality that define his operas successfully met the demands of their time. His last opera, Turandot (1926), remained incomplete due to his death in 1924.
A tragedia giapponese to a libretto by Giuseppe Giacosa and Luigi Illica, Madama Butterfly is based on the one-act play Madame Butterfly (1900) by American playwright David Belasco, itself based on an 1898 short story by another American writer, John Luther Long. This, in turn, was partly based on Pierre Loti's French novel Madame Chrysanthème (1887). The opera recounts the tragic love of Cio-Cio-San, a fifteen-year-old geisha, for Pinkerton, an American naval officer. After a three-year absence the officer returns to Japan with his American wife, having learned that he has a son by Butterfly. She agrees to give Pinkerton the child, but commits suicide shortly afterwards.
Madama Butterfly's first, two-act version received its premiere at the Teatro alla Scala, Milan, on 17 February 1904. A revised, three-act version was performed on 28 May 1904 at the Teatro Grande, Brescia. The version in which the opera is usually presented nowadays is based on the Opéra Comique version, which was staged in Paris on 28 December 1906.
Nagasaki, early 20th century. Benjamin Franklin Pinkerton, a lieutenant in the United States Navy, is arranging with Goro, a Japanese marriage broker, the last details of his upcoming marriage with Cio-Cio-San, a fifteen-year-old geisha also known as Butterfly. Pinkerton informs Sharpless, the United States consul, that in Japan a husband can break up his marriage anytime. In vain Sharpless tries to warn him that the adolescent girl is bound to take the marriage seriously.
The bride arrives with her friends and relatives. She shows Pinkerton her few possessions, including the narrow sheath that contains the dagger with which her father killed himself. Right after the ceremony the Bonze, Butterfly's uncle, arrives and denounces her for having forsworn her faith, urging the rest of her relatives to do the same. Cio-Cio-San is left alone with Pinkerton, who tries to comfort her. Suzuki, her maid, helps her dress for her wedding night and Butterfly joins Pinkerton in the garden.
Three years later, in the same residence, Cio-Cio-San is alone with Suzuki. Even though Pinkerton left for his home country shortly after the wedding and never returned, Cio-Cio-San remains faithful to him and dreams of the day that she will see him once again. Sharpless appears: he wants to prepare her for Pinkerton's return with his American wife. Cio-Cio-San refuses to listen and shows Sharpless her son by Pinkerton. She decorates the house for his arrival and settles to a night of waiting next to Suzuki and the child.
As morning breaks, Cio-Cio-San, who stayed up all night, takes her son to another room and sings him to sleep. Pinkerton and Sharpless appear and ask Suzuki to speak to the former's American wife. Pinkerton recalls the past. Filled with remorse, he chooses not to face Cio-Cio-San and leaves. Butterfly enters, looking for her husband. Much to her dismay she sees the strange woman in the garden and is informed by Sharpless and Suzuki that Pinkerton will never return to her. She seems to accept the situation and even agrees to give Pinkerton their son, if he comes to take him himself. She then asks to be left alone and decides to end her life. In an effort to stop her, Suzuki sends in her son. Butterfly bids him farewell, ties his eyes and commits suicide just as Pinkerton arrives.
Available on GNO TV from 25 November 2020
Recorded in the GNO Stavros Niarchos Hall at the Stavros Niarchos Foundation Cultural Center on 10 and 16 October 2020
Conductor: Lukas Karytinos
Director, sets, costumes: Hugo de Ana
Video projection designer: Sergio Metalli - Ideogamma SRL
Lighting: Valerio Alfieri
Chorus master: Agathangelos Georgakatos
Cio-Cio-San: Ermonela Jaho
Suzuki: Chryssanthi Spitadi
Kate Pinkerton: Violetta Lousta
Pinkerton: Gianluca Terranova
Sharpless: Dionysios Sourbis
Goro: Nicholas Stefanou
Prince Yamadori: Marios Sarantidis
Bonzo: Yanni Yannissis
Yakuside: Petros Salatas
Imperial commissioner: Dionisos Tsantinis
Official registrar: Theodoros Aivaliotis
Cio-Cio-San's mother: Amalia Avloniti
Aunt: Vaia Kofou
Cousin: Fotini Hadjidaki
With the Orchestra and Chorus of the GNO
Due to the COVID-19 pandemic the opera was presented in Ettore Panizza's instrumentation for reduced orchestra (ed. Ricordi)
With a 10€ ticket viewers can enjoy this great opera production from the comfort of their homes at nationalopera.gr/GNOTV/en, at any time they choose, on their computer, ipad, TV or mobile phones.
Lead Donor of the GNO / Madama Butterfly Donor
Stavros Niarchos Foundation (SNF) [www.SNF.org]
Madama Butterfly Sponsor