Giorgos Konstantinou (aka TaRaM) produces and performs a kaleidoscope of musical fragments about man and the stars.
Exotic and familiar music intermingle, twisting and turning, becoming a quest for the essence of the least and the most, the lowly and the majestic, the very near and the extremely far.  
At the core of this ever-changing musical content lies Iannis Xenakis' Herma, τa matrix (literally) upon which fragments from Chopin's Nocturnes are plotted, together with other musical threads like heavenly bodies in an isotropic universe.  
The confines of this musical universe (and its representation) are the limits of human nostalgia for the elusive and the eternal and these are outlined in melodies of Liszt, Ligeti and Takemitsu, which are born and lost in silence.